Fringe Review: Beowulf in Afghanistan
Barb Popel: “This is a remarkable play… A must-see at this year’s Fringe.”
Axandre Lemours
Fringe Review: Beowulf in Afghanistan
Colin Noden: “This is a powerful play. It is not a preachy play. It asks no questions and gives no answers. It shares an eternal experience in a visceral way.’
Theatre Review: Love and Human Remains at The Gladstone—until 03.16.19
Barbara Popel: “As the lights went up at the end of the harrowing second act, the opening night audience leapt to its feet to give the cast a well-deserved standing ovation.”
Highlights from the Orpheus production of Tommy
From a multi-platinum album, to a rock opera production, various orchestral versions, a film in 1975, and finally, a broadway musical in 1992, never have we seen so many incarnations sprout from 24 tracks of rock music, as we’ve seen in The Who’s, Tommy. So when I read that Orpheus, the second longest running musical […]
